There would have been many an occasion when each of us would
have wondered whether there were more of us in ourselves than the entity we
generally regarded as ourselves. The prevailing norms of wisdom would have
negated and thwarted any further reflection on this question. A heated yet un-acrimonious
discussion, not very long ago, between my daughter and son who are pursuing
different levels of medical education about patients suffering from a
particular type of brain damage called Capgras syndrome, in which I was an
essentially silent yet deeply involved participant, unshackled the imaginative
process from its earlier constraint of restrictive prudence on this mysterious
matter of possible multiple personalities.
The quintessence of their discussion
was that each sense with which the human body probes the environment about
itself, gives rise to and nurtures a slightly different personality based on
its own separate experience - all of which need not necessary be identical, and
that the one so fostered by the sense of vision generally dominates the others.
Another related point that was dwelt upon during this interesting debate was
that a class of brain cells called mirror neurons, were the primary instigators
and perpetrators of this supposedly exclusive human trait of empathy – the
ability to see, or at least strive to see, a situation from a perspective
different from one’s own material, emotional, and experienceable references.
This revelation, if it could be called one, is what came to
the fore to provide a reasonable explanation to my otherwise long-held view
that authors – or at least most of them – primarily write for themselves. They
are their own readers. It is true that others that read the work of an author
as well as literary critics who rate an author’s work do form part of the
larger perceptional and associative realms of the writer. As one continues on
this path of written articulation of one’s thoughts, and experiences various
shades and intensities of criticisms, accolades, and indifference from critics
and readers, one unconsciously empathizes with these personalities and a small
measure of each of their persona coalesces with that of one’s own, changing one’s
perspective towards the world and one’s convictions just that wee bit to
account for the points thrown up by this interaction. But these changes are not
sweeping or potent enough to overshadow or completely submerge the original
self. Authors mature by this process – but still write only for themselves. In
more unsophisticated terms, this accretion or erosion to the author’s
multilayered personality is akin to adorning an appropriate makeup and looking
into the mirror, because the world is only a reflection of us and our
perspectives.
Ram Ramakrishnan
1 comment:
'Mirror Neurons' is an interesting theory to illustrate multi-faceted voices within one single text. Still, bringing it forth is an art no less.
Jack Nicholson in As Good As It Gets jokes about character forming in writing, when his fan asks 'how do you write women so well?', Jack( Melvin Udall in the film) replies- ' I think of a man and I take away reason and accountability'.
HB
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