The Journey of the Unknown Path by young talented author Manhardeep
Singh Ahluwalia makes no pretence to follow Robin Sharma’s style of writing. Even
though you can’t help but sense the similarities, it’d be a mistake to compare the
two. The book is intended to be taken as a parable, with consistent, and,
sometimes annoying, presence of prescriptive subtext.
New Indian Writing is an endeavor to bring together new authors and readers. Publishing as an English language author in India is getting popular but still a challenge. We put you face to face with readers, critics, and experts from publishing industry.
Showing posts with label Literary Review. Show all posts
Showing posts with label Literary Review. Show all posts
Tuesday, 24 January 2012
Wednesday, 4 January 2012
Who is the reader? You , or, the person who buys your book and reads, or, a literary critic?
There would have been many an occasion when each of us would
have wondered whether there were more of us in ourselves than the entity we
generally regarded as ourselves. The prevailing norms of wisdom would have
negated and thwarted any further reflection on this question. A heated yet un-acrimonious
discussion, not very long ago, between my daughter and son who are pursuing
different levels of medical education about patients suffering from a
particular type of brain damage called Capgras syndrome, in which I was an
essentially silent yet deeply involved participant, unshackled the imaginative
process from its earlier constraint of restrictive prudence on this mysterious
matter of possible multiple personalities.
Monday, 26 December 2011
New Author Woes: The Anxiety of Influence
“Imitated
By Ancestors”
No, this is
not a literary essay meant to scare you. This is one of the best ways I have
found to break ice with new authors- The
Anxiety of Influence theory. ( of course it allows me to show off a bit)
Harold Bloom
proposed in 1973 that poets ( I normally ascribe this with most artists) are hindered in their creative processes by
ambiguous relationships ( no not those) they maintained with their precursor
poets. He believed that these ‘influences’
produce work that are at best derivatives of existing work, and, therefore,
weak.
Simply
saying- every new author/poet faces this ‘anxiety of influence’. Sitting back
to weave your first story and you soon realise that every plot has already been
covered by the masters. There is nothing left to write.
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